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For
me, art is expression of the artist's life and evolution. It is most
interesting when the art reflects the artist's vision, philosophy and
discoveries over time. I
am a searcher. I like to look into the surface of what I see and to
consider it from different perspectives, attempting to discover
something new, or something beyond, in the process.
Working
in series, I want to see motion or an evolution of my subject; to
depict it in different ways or see it transform. My work evolves as one
piece inspires another, and it often bridges the representational world
with the amorphous world of space. In a sense, the work is both infinite
landscape and infinite space, as the work draws you in beyond the image
and into experience.
I
have a particular affinity with the ocean, earth and sky expressed in
paintings, prints and photographs. Trees are often the intermediary
joining heaven and earth, suggesting the infinite, circular process of
creation and destruction, evolution and devolution, as day revolves into
night and new life sprouts in the roots of dying trees. I hope to
express the eternal, creative cycle and often accent the images with an
enso, a spiral or infinity shape, or a portal through which to enter a
world of color and texture.
The
process of making of art is an internal conversation and process of
discovery. When I feel the piece is finished, I want the viewer to enter
a journey of discovery of one's own – to a place, a meditation or
feeling – or to see the world through my eyes. My
connection with the ocean, the horizon and sky is readily apparent in
my work: Diving below the surface; gazing beyond the horizon and up into
space; delving into the dark and toward the light compose much of my
visual lexicon. In Taos, the sky is my ocean and the clouds my waves.
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